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LOOK This week in my seminar on artist's books at Cooper Union we are looking at publications by a diverse group of women from the 1960s and 1970s, including Yoko Ono's 1964 Grapefruit and Adrian Piper's 1974 Talking to Myself: The Ongoing Autobiography of an Art Object. These books are

LOOK: If you happen to visit the Met and the Whitney Museum in a single day, you can make a rather remarkable comparison between two sculptures depicting Black women: French sculptor Jean-Baptiste Carpeaux’s Why Born Enslaved!, from 1868, and Harlem Renaissance sculptor Richmond Barthé’s African Dancer, from 1933.